Never mind the Taliban – Pakistan’s youth put their faith in rock’n’roll
Country’s internal turmoil is feeding underground music scene and popular guitar school
Declan Walsh in Lahore
guardian.co.uk, Tuesday 1 September 2009 22.29 BST
Article history
Guitarist Shehryar Mufti, from the Pakistani rock band Bumbu Sauce, practises with a drummer at a studio in Islamabad. Photograph: Declan Walsh
Wannabe rock stars have it tough in Pakistan. Last month a new band, Poor Rich Boy (and the toothless winos), took to the stage of a cramped Islamabad cafe for their breakthrough gig. On the first night, one person turned up.
“It was the night of the world cricket finals. Bad timing,” said the group’s guitarist, Zain Ahsan, ruefully. The second gig was better – 30 people came along – but brought its own dark worries.
“I asked the owner, ‘What if a bomb goes off?'” said Ahsan. “She said, ‘Don’t worry, I’ll be with you.'”
Even in a summer of Taliban violence young Pakistanis are rocking on. An underground music scene is quietly thriving in the country’s major cities, nourished by the internet and the passion of mostly amateur bands.
In Lahore a pair of unemployed rockers have tapped into that enthusiasm with a new school for rock’n’roll.
“We weren’t getting a lot of gigs, and we needed to survive,” said co-founder Hamza Jafri. “So we thought we’d try this.”
The Guitar School, as it is known, has been surprisingly successful. Around 40 students have signed up, ranging from surly teenagers in drainpipe jeans to more practised musicians such as Ahsan looking to hone their skills. Classes take place in a small room lined with egg boxes; the school’s teaching style is reflected in its motto: “Play it like you feel it.”
Many come from wealthy families that might once have stigmatised music, Jafri said. “People associated it with the red light district and sexual entertainment.” But a popular new television show featuring live performances, Coke Studio, has given rock music a new patina of respectability.
On a recent afternoon a woman brought in two reluctant-looking teenage daughters for lessons. “It will do them good to learn,” she said.
But making it to the next stage is difficult and sometimes dangerous. For the past six months virtually all public performances in Lahore have stopped since extremists attacks on a performing arts festival and the Sri Lankan cricket team. The Pakistani music industry itself is disorganised and hamstrung by massive piracy.
But the country’s internal chaos is also feeding creativity. Pakistanis have a rich musical tradition, mostly rooted in Sufism, but modern musicians have generally skirted political issues. But the new single from co-VEN, which Jafri fronts, is a sharp parody of Pakistan’s controversial alliance with the US.
“There’s a lot of foreign pressure on our government to attack people in the tribal areas,” he said. “We are taking dictation from you guys.”
Others have a playful take on the turmoil. The Islamabad band Bumbu Sauce – the name comes from a Pot Noodles packet – recently brought out Jiggernaut, a single that mixes references to kung fu, talking dogs and the Taliban. Guitarist Shehryar Mufti is not worried the insurgents might take the joke badly.
“Their beef is with the government, not the people,” he said. “I think rock music is low on their list of priorities.”
Pakistani rock gained traction with the arrival of satellite television in the 1990s. Today the musicians, many self-taught, publicise themselves through networking websites such as Facebook and MySpace, and Pakistan’s growing number of FM radio stations. And despite the security concerns, a fresh concert scene is emerging.
On a sultry Saturday night hundreds of young people, mostly dressed in jeans and T-shirts, crowded into a new outdoor auditorium on the edge of Islamabad called the Rock Musicarium. “People are thirsting for music, they want to get out,” said the venue’s founder, Zeejah Fazli.
When it opens properly in November, the venue will have a recording studio and capacity for 600 people, said Fazli, who estimates there are 20 rock bands in Islamabad alone. But, he admitted, the project depends on a six-month lull in attacks on the capital continuing.
For some well-to-do Pakistanis, rock music represents the cultural tensions of their life, which is divided between western influences and the conservative direction their society is taking. “On one side kids feel like they are in England; on the other this strict Islamic thing is going on. It’s not good for people’s sanity,” said Jafri.
About five years ago Junaid Jamshed, the country’s most famous pop star, renounced music and returned to religion. Now he appears on religious chat shows sporting a long, curly beard.
But most aspiring rock stars say they can live with the difference. In the soundproof room at the Lahore guitar school, 17-year-old Danish Khwaja strummed his guitar, long hair flopping over his forehead.
“It’s kinda cool doing stuff you love,” he said.
Source: The Guardian
